{"id":23634,"date":"2025-11-14T17:13:50","date_gmt":"2025-11-14T23:13:50","guid":{"rendered":"https:\/\/www.sensorialsunsets.com\/violence-envers-les-femmes-quatre-courts-metrages-qui-brisent-le-silence\/"},"modified":"2025-11-14T17:13:52","modified_gmt":"2025-11-14T23:13:52","slug":"violence-envers-les-femmes-quatre-courts-metrages-qui-brisent-le-silence","status":"publish","type":"post","link":"https:\/\/www.sensorialsunsets.com\/fr\/violence-envers-les-femmes-quatre-courts-metrages-qui-brisent-le-silence\/","title":{"rendered":"Violence envers les femmes : quatre courts m\u00e9trages qui brisent le silence"},"content":{"rendered":"\n
Le Centre Culturel d’Espagne au Costa Rica se joint une nouvelle fois, cette ann\u00e9e encore, au mouvement ib\u00e9ro-am\u00e9ricain qui \u00e9l\u00e8ve la voix contre toutes les formes de violence envers les femmes.<\/p>\n\n
Cette activit\u00e9 gratuite et ouverte au public se d\u00e9roule au si\u00e8ge du CCE, dans le quartier Escalante, \u00e0 San Jos\u00e9. \u00c0 travers la fiction, les r\u00e9cits pr\u00e9sent\u00e9s explorent des th\u00e8mes allant de la violence psychologique et sexuelle aux abus normalis\u00e9s dans les environnements familiaux, sociaux ou culturels. Chaque \u0153uvre, dans son univers narratif particulier, ouvre une fen\u00eatre inconfortable mais n\u00e9cessaire sur les exp\u00e9riences que le patriarcat continue de l\u00e9gitimer ou de rendre invisibles.<\/p>\n\n
De plus, l’exposition est organis\u00e9e en partenariat avec l’Union des r\u00e9alisatrices de cin\u00e9ma du Costa Rica, un groupe engag\u00e9 dans la construction d’une soci\u00e9t\u00e9 plus \u00e9galitaire \u00e0 travers sa lutte pour une pr\u00e9sence \u00e9quitable de toutes les identit\u00e9s f\u00e9minines dans la cr\u00e9ation, la production et la distribution audiovisuelles.<\/p>\n\n
Les courts m\u00e9trages<\/strong><\/h2>\n\n
13<\/em><\/strong><\/h3>\n\n
Langue :<\/strong> espagnol, catalanGenre :<\/strong> fictionR\u00e9alisatrice :<\/strong> M\u00e0riam Zelaia<\/em><\/p>\n\n
L’histoire suit Mica, une jeune fille prisonni\u00e8re d’un environnement hypersexualis\u00e9 o\u00f9 les r\u00e9seaux sociaux dictent l’urgence d’\u00eatre \u00ab cool \u00bb. Tourn\u00e9 en cam\u00e9ra subjective, 13<\/em> utilise un langage fr\u00e9n\u00e9tique pour montrer la contradiction entre l’enfance et la pression des r\u00f4les adultes marqu\u00e9s par une sexualit\u00e9 pr\u00e9coce.<\/p>\n\n
Ce film, qui marque les d\u00e9buts de Zelaia en tant que r\u00e9alisatrice, a remport\u00e9 de nombreuses distinctions et a \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans plusieurs festivals internationaux, consolidant ainsi le regard de la cin\u00e9aste sur la vuln\u00e9rabilit\u00e9 des filles face aux imaginaires de la consommation contemporaine.<\/p>\n\n
Langue :<\/strong> espagnol, catalanGenre :<\/strong> fictionR\u00e9alisatrice :<\/strong> Mar\u00eda Salgado Gispert<\/em><\/p>\n\n
Se d\u00e9roulant le 17 octobre 1986, jour o\u00f9 Barcelone c\u00e9l\u00e8bre l’attribution des Jeux Olympiques de 1992, Tit\u00e1n<\/em> oppose l’euphorie collective \u00e0 l’effondrement intime de Carmen. Ce jour de f\u00eate devient pour elle un \u00ab lendemain \u00bb : une fracture irr\u00e9versible qui marque sa vie et transforme le monde qui l’entoure en un espace dangereux.<\/p>\n\n
La r\u00e9alisatrice Mar\u00eda Salgado Gispert propose un r\u00e9cit sur le traumatisme f\u00e9minin et la mani\u00e8re dont la violence d\u00e9truit le silence, les routines et les certitudes.<\/p>\n\n
Langue :<\/strong> espagnolGenre :<\/strong> fictionR\u00e9alisatrice :<\/strong> Ver\u00f3nica Echegui<\/em><\/p>\n\n
Est\u00edbaliz se rend dans le village de son amie Raquel pour profiter des f\u00eates locales. Mais ce qui semblait \u00eatre un week-end de divertissement tourne au cauchemar : elle d\u00e9couvre que la tradition locale veut que les hommes se d\u00e9guisent en loups pour \u00ab chasser \u00bb les femmes pendant la nuit. Plus inqui\u00e9tant encore, cette pratique aberrante est consid\u00e9r\u00e9e comme normale par l’ensemble de la communaut\u00e9.<\/p>\n\n
Dans son premier court m\u00e9trage en tant que r\u00e9alisatrice, Ver\u00f3nica Echegui construit un r\u00e9cit percutant qui d\u00e9nonce la mani\u00e8re dont la violence symbolique et ritualis\u00e9e peut se dissimuler sous le couvert de la tradition, et comment les victimes, entour\u00e9es d’indiff\u00e9rence sociale, se retrouvent pi\u00e9g\u00e9es, sans protection ni cr\u00e9dibilit\u00e9.<\/p>\n\n
Langue :<\/strong> espagnolGenre :<\/strong> fictionR\u00e9alisatrice :<\/strong> Ana Lambarri<\/em><\/p>\n\n
Le film raconte l’histoire de Sara, qui doit recevoir chez elle les nouveaux patrons de son mari. Cependant, avant leur visite, David explose de violence pour un d\u00e9tail insignifiant : il la frappe, l’humilie et reproduit un sch\u00e9ma d’abus qui n’est pas nouveau pour eux deux. Encore sous le choc \u00e9motionnel, Sara doit se plier \u00e0 l’exigence sociale de pr\u00e9senter l’image parfaite du couple.<\/p>\n\n
Avec 36<\/em>, dernier volet de sa trilogie commenc\u00e9e avec 16<\/em> et 26<\/em>, Ana Lambarri montre toute la cruaut\u00e9 de la violence domestique.<\/p>\n\n
Participation de l’Union des r\u00e9alisatrices de cin\u00e9ma du Costa Rica<\/strong><\/h3>\n\n
Cet \u00e9v\u00e9nement s’inscrit dans le cadre d’une collaboration avec l’Union des r\u00e9alisatrices de cin\u00e9ma du Costa Rica. Deux de ses membres apportent leur expertise pendant l’activit\u00e9 :<\/p>\n\n
Laura Astorga Carrera<\/h3>\n\n
R\u00e9alisatrice, sc\u00e9nariste, productrice et communicatrice, connue pour son projet Escuela de Zorras (\u00c9cole des garces) et pour son travail dans le domaine des droits humains et du f\u00e9minisme. Sa recherche SEXISM\u00d3GRAFO analyse la relation entre les r\u00e9cits symboliques et les mouvements f\u00e9ministes.<\/p>\n\n
Alexandra Latishev<\/h3>\n\n
Son premier film, Medea, a \u00e9t\u00e9 s\u00e9lectionn\u00e9 pour concourir dans des festivals prestigieux et a repr\u00e9sent\u00e9 le Costa Rica aux Oscars. Son dernier long m\u00e9trage, Delirio, poursuit son exploration des r\u00e9cits intimes et complexes autour de la femme latino-am\u00e9ricaine. Elle est \u00e9galement professeure de direction d’acteurs et productrice de projets documentaires et de fiction.<\/p>\n\n
Le Centre Culturel d’Espagne au Costa Rica se joint une nouvelle fois, cette ann\u00e9e encore, au mouvement ib\u00e9ro-am\u00e9ricain qui \u00e9l\u00e8ve la voix contre toutes les formes de violence envers les femmes. Cette activit\u00e9 gratuite et ouverte au public se d\u00e9roule au si\u00e8ge du CCE, dans le quartier Escalante, \u00e0 San Jos\u00e9. \u00c0 travers la fiction, […]<\/p>\n","protected":false},"author":4,"featured_media":23629,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-23634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"yoast_head":"\n
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